A bedroom. A husband, a lover, a closet. A pair of shoes. Oh, and a wife... and a camera crew.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

Florípedes, Dona Flor, a cooking teacher, loses her husband Vadinho, an incorrigible trickster, on Carnival Sunday. In deep mourning, tearful, she recalls the ups and downs of that relationship. But, as she is still young and beautiful, she attracts the attention of the very correct pharmacist Teodoro, with whom she marries.

A burglar and a bar girl fall in love and decide to go straight, but complications.

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Three-fer anthology of black-humor sex-n-death anecdotes.

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For many years, Cristina and La Bonita have worked as cooks on merchant ships sailing the Peruvian Amazon. Today, they seem to be naturally embedded in the local landscape and social fabric, but being transgender still poses a challenge to local customs, convictions and beliefs. Each protagonist tries to reconcile their identity with functioning in a community – be it a family or a religious community – in their own way. We watch them in their everyday lives, as they work, play and take care of others, as well as long for each other and talk dirty. This intimate portrait is intertwined with a colourful picture of the local culture.

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